Well, I’m obsessed with a new movie now. Not quite as bad as when I was to “Heavenly Creatures,” but I’m spending my lunches and after work doing browsing and searching and reading everything I can find on “Battle Royale.”
It’s a Japanese movie made in 2000 about an “underachieving” jr. high class being selected to “participate” in an annual battle to the death on a deserted island. One winner in 3 days, or else everyone left alive will be killed by the low-jacks they all wear around their necks.
Yeah, sounds like a cheeseball thriller flick, and I thought so too when I first heard of it. I saw some discussion about it on a forum when I was looking around the ‘Net for info on “Kill Bill” actress Chiaki Kuriyama, who was also in “Battle Royale.”
The rationale in the movie, which is certainly more fleshed out in the book and then the manga that came 1st, is it’s the near future, and the overpopulated society’s fear of its ever increasingly violent teenagers has forced it rid itself of them in this manner. In the book, 50 of these events are held a year, only 1 in the movie.
Yes, it’s bloody and very violent, but more like a “Saving Pvt. Ryan” violent than slasher-movie violent. (By the way, I detest slasher movies. Hate em hate em. There’s nothing more banal and disgusting and moronic as a slasher movie. With the exception of the 1st “Scream,” the 1st “Texas Chainsaw Massacre.” Each because they were either cleverly written comments on the slasher genre, or was a low-budget non-ultragore film that successfully captured and created mortal fear and not revulsion.) So I hope you trust me when despite the way it sounds, “Battle Royale” while bloody and violent, is not a moronic blood-fest designed to simply slate the thirst of slasher fans. The movie is not designed to scare or gross out, but it does horrify and shock.
The 40 characters, and indeed the actors themselves, are 14-16 year olds who you see placed in a horrific situation of life and death, where they kill each other or try desperately to avoid death, and that concept alone is horrifying. Instead of the movie focusing on the “action” factor that might create, or make it tongue-in-cheek, it recognizes the horror (I’m using that word a lot, but it fits,) of it and subtly comments on it. What kind of society shocked and fearful of juvenile delinquents forces then to kill or be killed, making them become far worse and doing far worse than they ever would have done in society? And this sensationalistic method of doing so, (the movie acknowledges early on the media excitement over this “game”,) trying to get rid of “bad seeds” ends up catching countless innocents in its net. For example, this class of 40 (plus two suspicious transfer students) may have 2 or 3 future criminals, while the rest are normal kids with normal fears and desires and hopes and troubles.
And the movie does an INCREDIBLE job in showing all the possible reactions to a situation like this. When a school class is forced to kill or be killed in 3 days, all the cliques, the rivalries, the desires, assumed infractions become ultra magnified and amplified, and as often happens in normal situations except on a slower less mortal course, end up being shown as ridiculous and harmful for no good reason.
For example, a group of girls, some are a clique, a couple outsiders, get together to plan a way to get off the island and not participate in the “game.” The situation has forced them to put aside differences for the moment which is fantastic. But when a horrible mistake happens, in seconds all civility is torn aside and the situation deteriorates quickly and violently based on amplified rivalries. One moment you’re glad to see how this small group has risen above their situation and you have hope for their survival and cooperation, and the next second everything goes horribly wrong and innocent 15 year olds have slaughtered each other in both fear and hatred, and brutal, emotional instinct. It’s a scene that is not easily forgotten.
On a forum someone commented they don’t believe how some of the relationships, the love shown by some characters, can be realistic for 15 year olds. (No, there’s no sex or nudity, thank goodness. That would not be realistic, and this movie is nothing if not realistic.) And I say, absolutely it’s realistic. Two couples kill themselves, not wanting to either be killed, or having to kill their girl/boyfriend, a couple kill in order to defend someone they love, a couple die professing their love for someone…and I’m thinking, when in your life except when you’re in love for the 1st time do you feel that kind of once-in-a-lifetime love that’s that passionate? (Granted, one could argue if it’s REAL love, but philosophical debate aside, whatever it is, it’s been known to be fatal to young lovers in real-life as well as fiction.) Don’t get me wrong, I’m happily married to the love of my life and I’d die for her, but middle or almost middle-aged love doesn’t resonate the kind of passion young, unworldly-wise love does. Romeo & Juliet were only 14, and I doubt their story would have ended like it did if they were 30.
When you see a scene where one 15 year old girl is pointing a gun on another and screaming at her about how she stole her boyfriend, written here it sounds almost silly, but seeing it and seeing what looks like honest anger and anguish and fear in these 15 year old actors, (OK, so that’s why it’s called “acting,” but I would hazard that a lot of the emotion seen from these young actors had more than a kernel of honesty in it,) it’s very stressful and believable. You believe their fear and anger and motivations, and thus feel that much more affected by their fates.
The book evidently does a great deal, as books always do, in examining these motivations and actions. Why someone who might be a shy and meek outsider normally would be the first one to try to kill as many as he could as quickly as possible. (I haven’t read the book…I hope to! But here’s a sample of it translated: http://www.bobmink.com/translation/leftmenu.htm )
And unfortunately the version of the film I saw was the theatrical release (there’s an expanded special edition) with poor subtitle translation (there’s a Korean release on DVD with supposedly better English subtitle translation.) Some of the lines were rather ridiculous, and I just knew that couldn’t be what they meant. I could pick out places where a character would say “hai” meaning “yes” in a formal situation, and another where the subtitle says “yes” but the words she spoke was something more casual and befitting the situation.
I found a site, I thought it was this one: http://www.battleroyalefilm.net/movie/index.html but I can’t find the page, that showed how there are different translated subtitles and how the meanings are very different in places from one to the other. I’d really like to get my hands on a copy of the film with the better translation.
Fortunately, if you recognize the translation’s bad and just use it as a guide to what’s being said and focus on the tone of voice you really get a good idea of WHAT is really being said and why.
Anyway, it’s a very disturbing movie that really stays with you. Some have compared it to “A Clockwork Orange” or “Lord of the Flies,” and I think comparisons are certainly fair, but it’s not near as good as either the “Orange” movie (or book especially) or the “Flies” book. Now, the “Battle Royale” novel might, but the movie is just very affecting, lingering, thought provoking and emotion stirring cinema. I understand the book goes into greater detail, obviously, regarding character backgrounds, but the movie I think did a good job at hinting as well as it could at these without spending an extra hour on flashback scenes. For example, there’s one girl who very obviously has had a hard life where she’s had to fight to just be normal. Now she’s fighting to survive, and she seems as homicidal as the sociopath among them, but she’s given enough dialogue and actions to display her need to not be a “loser,” which isn’t that a core motivating force in most teens?
I’ve always been intrigued by these kinds of stories. Back in grade school I read a book about these 4 kids who wake up in some surreal house of stairs–no cieling, no floor or walls…just stairs and landings. And a food dispensor. It was a government experiement on conditioning and social deterioration, and I’ve never forgotten it. I’m likely never going to forget this movie either.
http://www.battleroyalefilm.com/